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Showing posts with label Carolyn Broe. Show all posts
Showing posts with label Carolyn Broe. Show all posts

Tuesday, February 28, 2012

Norman Rockwell, The Old Master, 1922


Bowing Terms
By Carolyn Broe

Collé - like a martelé and a spiccato combined.  It starts on the string, pinch the string, then immediately after the attack lift off the string.

Detaché - simple detaché is separate bows with no variation of pressure. 
Accented detaché starts each stroke with an accent or articulation, no air between notes. 
Detaché lance is a short stroke that slows at the end of each stroke.  There is a clear break between strokes. 
Detaché porte has a slight swelling in the middle, then taper off.

Legato - slurring two or more notes on a bow.  Care must be taken on string or bow changes.

Louré - Detaché porte in a series of strokes performed under the same bow.

Martelé - a sharp attack made by pinching the string with the bow.  The fingers of the right hand must be flexible.  It starts with pressure, pinch with fingers, move the bow and release the pressure.

Portato - (see louré) same as parlondo.

Porte - a swelling of the note followed by a lightening at the end of the stroke.

Ricochet - using the natural bounce of the stick to play several notes on the same bow.  The bow is thrown on the string.  This can be done up bow or down bow with one impulse.

Sautillé - Jumping bow, this stroke is not controlled, but relies on the resiliency of the bow.  It is executed just below the middle of the bow at the balance point (bounce point).  This stroke is a combination of detaché (horizontal) and spiccato (vertical) strokes.  It is actually a diagonal stroke which is done with the hand rather than the arm. 

Son file- long tones on the bow. One must be careful that the bow changes are smooth, and that the tone is even.

Spiccato - The bow is dropped from the air, and leaves the string after each note.  It is a controlled stroke that bounces off of the string.

Staccato -  The bow remains on the string, with short articulated consonants on each stroke.  The pressure is released after each note.

Whipped (fouette) -  This stroke is derived from an accented detaché.  Lift the bow off the string and strike down suddenly. 

Wednesday, July 6, 2011

Grant Award from ACA

Carolyn Broe Jul 5



Four Seasons Orchestra has just been awarded a General Operating Grant from the Arizona Commission on the Arts! Considering the large budget cuts that the ACA has endured from the state this year, this small grant is nothing short of a miracle! We feel very blessed and fortunate. This grant will help to pay for our website expenses and publicity.

Monday, October 4, 2010

Kickoff SAS Concert, Vive La France, Big Success

Sunday's first concert of the Scottsdale Arts Symphony and the Scottsdale Choral Artists drew an almost standing-room-only crowd of about 1500 people who came to hear orchestral music by French composers. The choir was big, 43 singers of all ages. The orchestra was ready to contend with all the bigness of the choir and the wonderful pipe organ in La Casa de Cristo Lutheran Church in Scottsdale and they did so successfully.


The showstopping moment in the house (of worship) came in the last movement of Saint-Saens Organ Symphony. The thunderous bass chords of the organ were answered by the equally thunderous chords of the heavy brass and bass viols and celli, while the effeminate violins held their own with the aid of the other instuments, such as the violas, who were ably led by their principal violist, Carolyn Broe. I found the movement vaguely reminescent of the end of Tchaikowsky's 1812 Overture when the Canons go off between the battle of the French and Russian National Anthems. The applause from the house (of worship) was also loud for this piece.


If Brett Robison, the conductor of the SAS, can locate the Rhapsody in Blue music for his next All American Concert, we can all expect another big success for his orchestra.