Criticism of text
The text Bach set to music for the Passion of St. John has been criticized as anti-Semitic. This accusation is closely connected to a wider controversy regarding the tone of the New Testament's Gospel of John with regards to Judaism.
Having come to the United States in 1937 as a Jewish refugee from Nazi Germany, Lukas Foss changed the text from “Juden” to “Leute” (People) when he directed performances of the work. This has been the trend of numerous mainline Christian denominations since the late 20th century as well, for instance, the Episcopal Church, when they read the gospel during Lenten Good Friday services. Michael Marissen's Lutheranism, Anti-Judaism, and Bach's 'St. John's Passion' examines the controversy in detail. He concludes that Bach's St. John Passion and St. Matthew Passion contain fewer statements derogatory toward Jews than many other contemporary musical settings of the Passion. He also noted that Bach used words for the commenting arias and hymns that tended to blame the people in the congregation for being responsible for the crucifixion.
Wikipedia---
The text Bach set to music for the Passion of St. John has been criticized as anti-Semitic. This accusation is closely connected to a wider controversy regarding the tone of the New Testament's Gospel of John with regards to Judaism.
Having come to the United States in 1937 as a Jewish refugee from Nazi Germany, Lukas Foss changed the text from “Juden” to “Leute” (People) when he directed performances of the work. This has been the trend of numerous mainline Christian denominations since the late 20th century as well, for instance, the Episcopal Church, when they read the gospel during Lenten Good Friday services. Michael Marissen's Lutheranism, Anti-Judaism, and Bach's 'St. John's Passion' examines the controversy in detail. He concludes that Bach's St. John Passion and St. Matthew Passion contain fewer statements derogatory toward Jews than many other contemporary musical settings of the Passion. He also noted that Bach used words for the commenting arias and hymns that tended to blame the people in the congregation for being responsible for the crucifixion.
Wikipedia---
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